Boiling Point by Chris Stussy cover art

Boiling Point

Chris Stussy

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
80/100
Pop
11/100
Length
7:02
Released
2020
Genre
Deep House
Loudness
-10.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 128 BPM in F♯ minor (11A), Boiling Point is a peak-time tempo deep house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Brighter than 93% of Chris Stussy's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood88Bright
Groove81
Acoustic0
Instrumental84
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Boiling Point in?

Boiling Point by Chris Stussy is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Boiling Point?

Boiling Point runs at 128 BPM, a peak-time tempo track.

What mixes well with Boiling Point?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Boiling Point good for peak time?

With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More deep house

More from Chris Stussy

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track