Mainframe - Leo Franco Remix
30s preview
- BPM
- 128
- Open Key
- 4d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2021
- Album
- The Remixes
- Genre
- Tech House
- Loudness
- -10.1 dB
- Dynamics
- 9.8 dB
- ISRC
- CARH11900134
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mainframeoriginal4A · 127
- Mainframe - Aguilar Remixremix8B · 126
- Mainframe - Classy Touch Remixremix9B · 127
- Mainframe - Dub Tiger Remixremix3A · 127
- Mainframe - James Hopkins & Cato Kane Remixremix11A · 127
- Mainframe - Mike Teknii Remixremix8A · 127
Against the original (4A at 127 BPM), this version runs 1 BPM faster and moves the key from 4A to 11B.
A peak-time tempo tech house cut, Mainframe - Leo Franco Remix sits in A major (11B) at 128 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Nathan Barato's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 94% of Nathan Barato's catalogue
- Low end:
- more bass-heavy than 93% of Nathan Barato's catalogue
- Groove:
- groovier than 90% of Nathan Barato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Mainframe - Leo Franco Remix in?
Mainframe - Leo Franco Remix by Nathan Barato is in A major, or 11B on the Camelot wheel.
What BPM is Mainframe - Leo Franco Remix?
Mainframe - Leo Franco Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Mainframe - Leo Franco Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Mainframe - Leo Franco Remix good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Nathan Barato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
