Lost - Carl Cox Remix Edit
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 4:38
- Released
- 2018
- Album
- Lost (Carl Cox Remix Edit)
- Genre
- Techno
- Loudness
- -7.9 dB
- Dynamics
- 10.1 dB
- ISRC
- DENC31800118
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost - Carl Cox Remixremix4B · 128
Lost - Carl Cox Remix Edit: peak-time tempo techno, A♭ major (4B), 128 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Carl Cox's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 98% of Carl Cox's catalogue
- Brightness:
- darker than 79% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lost - Carl Cox Remix Edit in?
Lost - Carl Cox Remix Edit by Carl Cox is in A♭ major, or 4B on the Camelot wheel.
What BPM is Lost - Carl Cox Remix Edit?
Lost - Carl Cox Remix Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Lost - Carl Cox Remix Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Lost - Carl Cox Remix Edit good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
