Pumpin' by Chris Stussy cover art

30s preview

Key
6A · G minor
BPM
133
Open Key
11m
Energy
82/100
Pop
54/100
Length
5:34
Released
2024
Album
Synergy
Genre
Deep House
Loudness
-10.0 dB
Dynamics
10.3 dB
ISRC
UKU932480811

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Pumpin': peak-time tempo deep house, G minor (6A), 133 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 95% of Chris Stussy's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 95% of Chris Stussy's catalogue
Tempo:
faster than 82% of Chris Stussy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood66Balanced
Groove80
Acoustic1
Instrumental58
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Pumpin' in?

Pumpin' by Chris Stussy is in G minor, or 6A on the Camelot wheel.

What BPM is Pumpin'?

Pumpin' runs at 133 BPM, a peak-time tempo track.

What mixes well with Pumpin'?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Pumpin' good for peak time?

With energy 82 out of 100 at 133 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 133 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

#Track

More deep house

More from Chris Stussy

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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