Skyscrapers - Solomun Remix
30s preview
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 74/100
- Pop
- 16/100
- Length
- 7:22
- Released
- 2021
- Album
- Skyscrapers (Solomun Remix)
- Genre
- Tech House
- Loudness
- -6.8 dB
- Dynamics
- 11.3 dB
- ISRC
- QMFME2178452
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Skyscrapers - Solomun Remix - Radio Editremix5A · 132
At 132 BPM in C minor (5A), Skyscrapers - Solomun Remix is a peak-time tempo tech house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 94% of Solomun's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 88% of Solomun's catalogue
- Low end:
- more treble-tilted than 79% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Skyscrapers - Solomun Remix in?
Skyscrapers - Solomun Remix by Solomun is in C minor, or 5A on the Camelot wheel.
What BPM is Skyscrapers - Solomun Remix?
Skyscrapers - Solomun Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Skyscrapers - Solomun Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Skyscrapers - Solomun Remix good for peak time?
With energy 74 out of 100 at 132 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More tech house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
