Hyperharmonic (Radio Mix) by Marc Romboy cover art

Hyperharmonic (Radio Mix)

Marc Romboy

30s preview

Key
3A · B♭ minor
BPM
132
Open Key
8m
Energy
73/100
Pop
1/100
Length
11:01
Released
2002
Genre
Tech House
Loudness
-8.2 dB
Dynamics
10.2 dB
ISRC
DEPI82309541

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Hyperharmonic (Radio Mix) sits in B♭ minor (3A) at 132 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2002 production that still circulates in sets. Faster than 91% of Marc Romboy's catalogue. For programming, treat it as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood17Dark
Groove75
Acoustic0
Instrumental85
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Hyperharmonic (Radio Mix) in?

Hyperharmonic (Radio Mix) by Marc Romboy is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Hyperharmonic (Radio Mix)?

Hyperharmonic (Radio Mix) runs at 132 BPM, a peak-time tempo track.

What mixes well with Hyperharmonic (Radio Mix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Hyperharmonic (Radio Mix) good for peak time?

With energy 73 out of 100 at 132 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More tech house

More from Marc Romboy

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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