Skyscrapers - Solomun Remix - Radio Edit
30s preview
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 74/100
- Pop
- 14/100
- Length
- 4:10
- Released
- 2021
- Album
- Skyscrapers (Solomun Remix)
- Genre
- House
- Label
- Nina Kraviz Music
- Loudness
- -6.5 dB
- Dynamics
- 9.1 dB
- ISRC
- QMFME2178453
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Skyscrapers - Hi-Lo Remixremix8B · 132
- Skyscrapersoriginal8A · 133
- Skyscrapers - Radio Editversion9B · 133
- Skyscrapers - Solomun Remixremix5A · 132
- Skyscrapers (Locked Groove Belgium mix)original8A · 144
- Skyscrapers - Vladimir Dubyshkin Moody Mixversion11A · 135
Against the original (8A at 133 BPM), this version runs 1 BPM slower and moves the key from 8A to 5A.
At 132 BPM in C minor (5A), Skyscrapers - Solomun Remix - Radio Edit is a peak-time tempo house production. The feel is bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 87% of Nina Kraviz's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 81% of Nina Kraviz's catalogue
- Low end:
- more treble-tilted than 81% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Skyscrapers - Solomun Remix - Radio Edit in?
Skyscrapers - Solomun Remix - Radio Edit by Nina Kraviz is in C minor, or 5A on the Camelot wheel.
What BPM is Skyscrapers - Solomun Remix - Radio Edit?
Skyscrapers - Solomun Remix - Radio Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Skyscrapers - Solomun Remix - Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Skyscrapers - Solomun Remix - Radio Edit good for peak time?
With energy 74 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
