
Tarde
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 21/100
- Pop
- 39/100
- Length
- 5:34
- Released
- 2023
- Genre
- Techno
- Label
- Nina Kraviz Music
- Loudness
- -12.8 dB
- ISRC
- US23A8559604
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- tarde - nina kraviz psy mixoriginal10A · 141
- tarde - david löhlein amor mixoriginal3A · 148
- tarde - melchior productions ltd late mixoriginal9B · 125
- tarde - melchior productions ltd mixoriginal6A · 125
- tarde - vladimir dubyshkin remixremix9B · 145
- tardeoriginal6A · 125
Tarde is a club-tempo techno track in G minor (6A) at 125 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. Less groove-driven than 98% of Nina Kraviz's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 97% of Nina Kraviz's catalogue
- Energy:
- calmer than 96% of Nina Kraviz's catalogue
- Brightness:
- darker than 79% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tarde in?
Tarde by Nina Kraviz is in G minor, or 6A on the Camelot wheel.
What BPM is Tarde?
Tarde runs at 125 BPM, a club-tempo track.
What mixes well with Tarde?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Tarde good for peak time?
With energy 21 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Nina Kraviz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.