Wandering Endlessly by Robert Hood cover art

Wandering Endlessly

Robert Hood

Key
5A · C minor
BPM
126
Open Key
10m
Energy
42/100
Pop
4/100
Length
10:32
Released
2009
Album
The Pace
Genre
Techno
Label
M-Plant
Loudness
-16.0 dB
ISRC
NL-HD8-09-00016

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Wandering Endlessly: club-tempo techno, C minor (5A), 126 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 97% of Robert Hood's catalogue.

Tempo:
slower than 81% of Robert Hood's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood52Balanced
Groove78
Acoustic63
Instrumental86
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Wandering Endlessly in?

Wandering Endlessly by Robert Hood is in C minor, or 5A on the Camelot wheel.

What BPM is Wandering Endlessly?

Wandering Endlessly runs at 126 BPM, a club-tempo track.

What mixes well with Wandering Endlessly?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Wandering Endlessly good for peak time?

With energy 42 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 126 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

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More from Robert Hood

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track