
Black Tar - Canyon Boulevard Remix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 8:23
- Released
- 2009
- Album
- Black Tar Remix EP
- Genre
- Tech House
- Loudness
- -11.3 dB
- Dynamics
- 9.9 dB
- ISRC
- USA290913812
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Black Tar - Original Mixoriginal3A · 126
- Black Tar - Rasmus Remixremix3A · 128
- Black Tar - Lance Blaise Pretty Bird Mixoriginal3A · 127
- Black Tar - Matt Herdman Remixremix9B · 128
- Black Tar - Rasmus Acid Dubversion3A · 128
Against the original (3A at 126 BPM), this version holds the same tempo and moves the key from 3A to 3B.
A club-tempo tech house cut, Black Tar - Canyon Boulevard Remix sits in D♭ major (3B) at 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 99% of Anthony Attalla's catalogue.
- Reach:
- more underground than 99% of Anthony Attalla's catalogue
- Low end:
- more bass-heavy than 99% of Anthony Attalla's catalogue
- Brightness:
- darker than 92% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Black Tar - Canyon Boulevard Remix in?
Black Tar - Canyon Boulevard Remix by Anthony Attalla is in D♭ major, or 3B on the Camelot wheel.
What BPM is Black Tar - Canyon Boulevard Remix?
Black Tar - Canyon Boulevard Remix runs at 126 BPM, a club-tempo track.
What mixes well with Black Tar - Canyon Boulevard Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Black Tar - Canyon Boulevard Remix good for peak time?
With energy 42 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Anthony Attalla
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.