Danny from the Block - Remute Remix
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 44/100
- Pop
- 3/100
- Length
- 7:53
- Released
- 2007
- Album
- Mischware EP
- Genre
- House
- Label
- Diynamic Music
- Loudness
- -10.7 dB
- Dynamics
- 11.5 dB
- ISRC
- DEDK70600014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Danny From The Blockoriginal6A · 126
Against the original (6A at 126 BPM), this version holds the same tempo and moves the key from 6A to 4B.
A club-tempo house cut, Danny from the Block - Remute Remix sits in A♭ major (4B) at 126 BPM. The feel is bright and easy. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Calmer than 92% of Solomun's catalogue.
- Brightness:
- brighter than 91% of Solomun's catalogue
- Low end:
- more treble-tilted than 85% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Danny from the Block - Remute Remix in?
Danny from the Block - Remute Remix by Solomun is in A♭ major, or 4B on the Camelot wheel.
What BPM is Danny from the Block - Remute Remix?
Danny from the Block - Remute Remix runs at 126 BPM, a club-tempo track.
What mixes well with Danny from the Block - Remute Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Danny from the Block - Remute Remix good for peak time?
With energy 44 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
