no sync by Arapu cover art

no sync

Arapu

30s preview

Key
4A · F minor
BPM
126
Open Key
9m
Energy
37/100
Pop
1/100
Length
7:56
Released
2020
Genre
Minimal
Loudness
-16.6 dB
Dynamics
14.9 dB
ISRC
FRX282220048

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

no sync is a club-tempo minimal track in F minor (4A) at 126 BPM. Tonally it lands warm and mellow. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Groovier than 95% of Arapu's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
brighter than 94% of Arapu's catalogue
Low end:
more bass-heavy than 94% of Arapu's catalogue
Tempo:
slower than 84% of Arapu's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood78Bright
Groove81
Acoustic0
Instrumental93
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
3%
High
2.5-11 kHz

FAQ

What key is no sync in?

no sync by Arapu is in F minor, or 4A on the Camelot wheel.

What BPM is no sync?

no sync runs at 126 BPM, a club-tempo track.

What mixes well with no sync?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is no sync good for peak time?

With energy 37 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More minimal

#Track

More from Arapu

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track