The Club (version 1) by Marc Romboy cover art

The Club (version 1)

Marc Romboy

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
36/100
Pop
1/100
Length
8:31
Released
2006
Genre
Tech House
Loudness
-15.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo tech house cut, The Club (version 1) sits in B♭ minor (3A) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Calmer than 92% of Marc Romboy's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood22Dark
Groove79
Acoustic0
Instrumental90
Live9
Speech6
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Club (version 1) in?

The Club (version 1) by Marc Romboy is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Club (version 1)?

The Club (version 1) runs at 125 BPM, a club-tempo track.

What mixes well with The Club (version 1)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Club (version 1) good for peak time?

With energy 36 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#Track

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track