Third Night In Lebanon by Argy cover art

Third Night In Lebanon

Argy

Key
12A · D♭ minor
BPM
125
Open Key
5m
Energy
36/100
Pop
0/100
Length
5:39
Released
2006
Album
La Pasion
Genre
Techno
Loudness
-13.7 dB
ISRC
DEL020620026

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, Third Night In Lebanon sits in D♭ minor (12A) at 125 BPM. Tonally it lands subdued and even. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Calmer than 99% of Argy's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
more underground than 99% of Argy's catalogue
Groove:
groovier than 93% of Argy's catalogue
Brightness:
brighter than 75% of Argy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood59Balanced
Groove83
Acoustic0
Instrumental36
Live8
Speech9

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Third Night In Lebanon in?

Third Night In Lebanon by Argy is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Third Night In Lebanon?

Third Night In Lebanon runs at 125 BPM, a club-tempo track.

What mixes well with Third Night In Lebanon?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Third Night In Lebanon good for peak time?

With energy 36 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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