Channeling by Cristi Cons cover art

Channeling

Cristi Cons

Key
9A · E minor
BPM
125
Open Key
2m
Energy
35/100
Pop
0/100
Length
15:50
Released
2012
Album
Morfoza
Genre
Tech House
Loudness
-15.5 dB
ISRC
QZNWW2099910

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Channeling: club-tempo tech house, E minor (9A), 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Cristi Cons's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 93% of Cristi Cons's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy35
Mood33Balanced
Groove81
Acoustic0
Instrumental92
Live5
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Channeling in?

Channeling by Cristi Cons is in E minor, or 9A on the Camelot wheel.

What BPM is Channeling?

Channeling runs at 125 BPM, a club-tempo track.

What mixes well with Channeling?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Channeling good for peak time?

With energy 35 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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