La Doi Pasi by Petre Inspirescu cover art

La Doi Pasi

Petre Inspirescu

Key
10A · B minor
BPM
126
Open Key
3m
Energy
36/100
Pop
3/100
Length
11:26
Released
2024
Genre
Tech House
Label
Amphia
Loudness
-13.8 dB
ISRC
DEH742400279

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

La Doi Pasi is a club-tempo tech house track in B minor (10A) at 126 BPM. The feel is subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Groovier than 89% of Petre Inspirescu's catalogue. For programming, treat it as a warm-up or breakdown cut.

Brightness:
brighter than 80% of Petre Inspirescu's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood64Balanced
Groove82
Acoustic0
Instrumental93
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is La Doi Pasi in?

La Doi Pasi by Petre Inspirescu is in B minor, or 10A on the Camelot wheel.

What BPM is La Doi Pasi?

La Doi Pasi runs at 126 BPM, a club-tempo track.

What mixes well with La Doi Pasi?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is La Doi Pasi good for peak time?

With energy 36 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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