calling
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 31/100
- Pop
- 0/100
- Length
- 9:14
- Released
- 2020
- Genre
- Minimal
- Loudness
- -19.6 dB
- Dynamics
- 17.2 dB
- ISRC
- FRX282213845
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in D♭ major (3B), calling is a club-tempo minimal production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Arapu's catalogue.
- Groove:
- less groove-driven than 92% of Arapu's catalogue
- Brightness:
- brighter than 89% of Arapu's catalogue
- Energy:
- calmer than 87% of Arapu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is calling in?
calling by Arapu is in D♭ major, or 3B on the Camelot wheel.
What BPM is calling?
calling runs at 126 BPM, a club-tempo track.
What mixes well with calling?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is calling good for peak time?
With energy 31 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More minimal
More from Arapu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
