That's Right by Arapu cover art

That's Right

Arapu

30s preview

Key
1A · A♭ minor
BPM
126
Open Key
6m
Energy
34/100
Pop
15/100
Length
7:39
Released
2019
Genre
Minimal
Loudness
-18.3 dB
Dynamics
11.7 dB
ISRC
DEY472576385

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in A♭ minor (1A), That's Right is a club-tempo minimal production. The feel is subdued and even. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 99% of Arapu's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 95% of Arapu's catalogue
Tempo:
slower than 84% of Arapu's catalogue
Energy:
calmer than 82% of Arapu's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood52Balanced
Groove82
Acoustic1
Instrumental94
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
48%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is That's Right in?

That's Right by Arapu is in A♭ minor, or 1A on the Camelot wheel.

What BPM is That's Right?

That's Right runs at 126 BPM, a club-tempo track.

What mixes well with That's Right?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is That's Right good for peak time?

With energy 34 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 126 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More minimal

More from Arapu

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track