Hamburg Vs. Bremen
- BPM
- 126
- Open Key
- 3m
- Energy
- 38/100
- Pop
- 0/100
- Length
- 7:33
- Released
- 2011
- Genre
- Tech House
- Loudness
- -12.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Hamburg Vs. Bremen sits in B minor (10A) at 126 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue.
- Energy:
- calmer than 94% of Oliver Schories's catalogue
- Tempo:
- faster than 85% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hamburg Vs. Bremen in?
Hamburg Vs. Bremen by Oliver Schories is in B minor, or 10A on the Camelot wheel.
What BPM is Hamburg Vs. Bremen?
Hamburg Vs. Bremen runs at 126 BPM, a club-tempo track.
What mixes well with Hamburg Vs. Bremen?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hamburg Vs. Bremen good for peak time?
With energy 38 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
