She Goes by Oliver Schories cover art
Key
10A · B minor
BPM
124
Open Key
3m
Energy
53/100
Pop
35/100
Length
6:14
Released
2016
Genre
Tech House
Loudness
-9.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

She Goes is a club-tempo tech house track in B minor (10A) at 124 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. Better known than 97% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 95% of Oliver Schories's catalogue
Energy:
calmer than 77% of Oliver Schories's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood33Balanced
Groove87
Acoustic10
Instrumental88
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is She Goes in?

She Goes by Oliver Schories is in B minor, or 10A on the Camelot wheel.

What BPM is She Goes?

She Goes runs at 124 BPM, a club-tempo track.

What mixes well with She Goes?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is She Goes good for peak time?

With energy 53 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#Track

More tech house

More from Oliver Schories

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track