Fri 14:00
30s preview
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 7:07
- Released
- 2020
- Genre
- Minimal
- Loudness
- -15.4 dB
- Dynamics
- 14.3 dB
- ISRC
- QZMHN2060729
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fri 14:00: club-tempo minimal, E minor (9A), 126 BPM. It reads as warm and mellow. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Nu Zau's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Nu Zau's catalogue
- Brightness:
- brighter than 93% of Nu Zau's catalogue
- Low end:
- more bass-heavy than 77% of Nu Zau's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Fri 14:00 in?
Fri 14:00 by Nu Zau is in E minor, or 9A on the Camelot wheel.
What BPM is Fri 14:00?
Fri 14:00 runs at 126 BPM, a club-tempo track.
What mixes well with Fri 14:00?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Fri 14:00 good for peak time?
With energy 33 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More minimal
More from Nu Zau
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
