Touch by Arapu cover art

Touch

Arapu

30s preview

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
30/100
Pop
1/100
Length
10:27
Released
2020
Genre
Minimal
Loudness
-18.7 dB
Dynamics
15.1 dB
ISRC
FRX282222074

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo minimal cut, Touch sits in D♭ major (3B) at 126 BPM. It reads as subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 92% of Arapu's catalogue. In a set it works best as a warm-up or breakdown cut.

Low end:
more bass-heavy than 88% of Arapu's catalogue
Tempo:
slower than 84% of Arapu's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy30
Mood56Balanced
Groove81
Acoustic0
Instrumental92
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
50%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is Touch in?

Touch by Arapu is in D♭ major, or 3B on the Camelot wheel.

What BPM is Touch?

Touch runs at 126 BPM, a club-tempo track.

What mixes well with Touch?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Touch good for peak time?

With energy 30 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More minimal

More from Arapu

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track