Second Weekend by Arapu cover art

Second Weekend

Arapu

30s preview

Key
3A · B♭ minor
BPM
126
Open Key
8m
Energy
30/100
Pop
2/100
Length
10:53
Released
2021
Genre
Minimal
Loudness
-19.4 dB
Dynamics
17.5 dB
ISRC
FRX282220054

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Second Weekend: club-tempo minimal, B♭ minor (3A), 126 BPM. The feel is subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 91% of Arapu's catalogue. For programming, treat it as a warm-up or breakdown cut.

Tempo:
slower than 84% of Arapu's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy30
Mood49Balanced
Groove81
Acoustic0
Instrumental93
Live8
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Second Weekend in?

Second Weekend by Arapu is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Second Weekend?

Second Weekend runs at 126 BPM, a club-tempo track.

What mixes well with Second Weekend?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Second Weekend good for peak time?

With energy 30 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More minimal

More from Arapu

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track