Sensei - Afrojacks Lost Remix
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 31/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2009
- Album
- Sensei
- Genre
- House
- Loudness
- -12.4 dB
- Dynamics
- 16.3 dB
- ISRC
- NLCM30700010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sensei - Oliver Twizt Remixremix10A · 128
- Sensei - Groovenatics Remixremix8A · 127
- Sensei - Man Eat DJ Remixremix11A · 127
- Sensei - Original Mixoriginal3B · 125
Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 8A.
Sensei - Afrojacks Lost Remix runs 125 BPM in A minor (8A), a club-tempo house record. Tonally it lands brooding and low-slung. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2009 production that still circulates in sets. Calmer than 99% of Franky Rizardo's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Franky Rizardo's catalogue
- Brightness:
- darker than 89% of Franky Rizardo's catalogue
- Low end:
- more bass-heavy than 83% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Sensei - Afrojacks Lost Remix in?
Sensei - Afrojacks Lost Remix by Franky Rizardo is in A minor, or 8A on the Camelot wheel.
What BPM is Sensei - Afrojacks Lost Remix?
Sensei - Afrojacks Lost Remix runs at 125 BPM, a club-tempo track.
What mixes well with Sensei - Afrojacks Lost Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Sensei - Afrojacks Lost Remix good for peak time?
With energy 31 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
