Sunday Prayer
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 28/100
- Pop
- 0/100
- Length
- 9:07
- Released
- 2008
- Album
- Mellow Dee
- Genre
- Minimal
- Label
- Contexterrior Tuning Spork
- Loudness
- -12.5 dB
- Dynamics
- 11.8 dB
- ISRC
- DEGS20800068
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sunday Prayeroriginal3B · 126
Sunday Prayer: club-tempo minimal, D♭ major (3B), 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Ricardo Villalobos's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 96% of Ricardo Villalobos's catalogue
- Energy:
- calmer than 87% of Ricardo Villalobos's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 56%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Sunday Prayer in?
Sunday Prayer by Ricardo Villalobos is in D♭ major, or 3B on the Camelot wheel.
What BPM is Sunday Prayer?
Sunday Prayer runs at 126 BPM, a club-tempo track.
What mixes well with Sunday Prayer?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Sunday Prayer good for peak time?
With energy 28 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More minimal
More from Ricardo Villalobos
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
