WeGo - Remastered
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 31/100
- Pop
- 6/100
- Length
- 7:43
- Released
- 2012
- Album
- Classic Collectors Box Part 3
- Genre
- Tech House
- Label
- Harthouse
- Loudness
- -10.8 dB
- Dynamics
- 11.3 dB
- ISRC
- DEKB72084983
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- WeGooriginal3B · 125
WeGo - Remastered is a club-tempo tech house track in F minor (4A) at 125 BPM. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Calmer than 99% of Boris Brejcha's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Boris Brejcha's catalogue
- Groove:
- groovier than 98% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 76% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is WeGo - Remastered in?
WeGo - Remastered by Boris Brejcha is in F minor, or 4A on the Camelot wheel.
What BPM is WeGo - Remastered?
WeGo - Remastered runs at 125 BPM, a club-tempo track.
What mixes well with WeGo - Remastered?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is WeGo - Remastered good for peak time?
With energy 31 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
