Lily at the Valley by Boris Brejcha cover art

Lily at the Valley

Boris Brejcha

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
68/100
Pop
51/100
Length
3:58
Released
2026
Genre
Tech House
Loudness
-7.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lily at the Valley runs 125 BPM in B♭ minor (3A), a club-tempo tech house record. The mix is almost entirely instrumental. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 98% of Boris Brejcha's catalogue
Reach:
better known than 97% of Boris Brejcha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood29Dark
Groove67
Acoustic1
Instrumental89
Live10
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lily at the Valley in?

Lily at the Valley by Boris Brejcha is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Lily at the Valley?

Lily at the Valley runs at 125 BPM, a club-tempo track.

What mixes well with Lily at the Valley?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Lily at the Valley good for peak time?

With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Boris Brejcha

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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