Solo para Mi - Eule:nhaupt & Molle:nhauer Remix
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2011
- Album
- Catchpenny and Cosmos
- Genre
- Tech House
- Loudness
- -11.8 dB
- Dynamics
- 11.1 dB
- ISRC
- DECH61100252
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Solo Para Mioriginal7A · 125
- Solo Para Mi - Be Svendsen Remixremix4A · 124
- Solo para Mioriginal7A · 125
- Solo para Mi - Mollono.Bass Remixremix9A · 125
Against the original (7A at 125 BPM), this version holds the same tempo and moves the key from 7A to 8B.
A club-tempo tech house cut, Solo para Mi - Eule:nhaupt & Molle:nhauer Remix sits in C major (8B) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. More underground than 99% of Be Svendsen's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 92% of Be Svendsen's catalogue
- Groove:
- groovier than 91% of Be Svendsen's catalogue
- Tempo:
- faster than 86% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Solo para Mi - Eule:nhaupt & Molle:nhauer Remix in?
Solo para Mi - Eule:nhaupt & Molle:nhauer Remix by Be Svendsen is in C major, or 8B on the Camelot wheel.
What BPM is Solo para Mi - Eule:nhaupt & Molle:nhauer Remix?
Solo para Mi - Eule:nhaupt & Molle:nhauer Remix runs at 125 BPM, a club-tempo track.
What mixes well with Solo para Mi - Eule:nhaupt & Molle:nhauer Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Solo para Mi - Eule:nhaupt & Molle:nhauer Remix good for peak time?
With energy 42 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Be Svendsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
