Solo Para Mi - Be Svendsen Remix
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 78/100
- Pop
- 13/100
- Length
- 7:44
- Released
- 2013
- Album
- Masquerade
- Genre
- Tech House
- Label
- 3000°
- Loudness
- -8.2 dB
- Dynamics
- 11.1 dB
- ISRC
- DEU671301855
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Solo Para Mioriginal7A · 125
- Solo para Mioriginal7A · 125
- Solo para Mi - Eule:nhaupt & Molle:nhauer Remixremix8B · 125
- Solo para Mi - Mollono.Bass Remixremix9A · 125
Against the original (7A at 125 BPM), this version runs 1 BPM slower and moves the key from 7A to 4A.
A club-tempo tech house cut, Solo Para Mi - Be Svendsen Remix sits in F minor (4A) at 124 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. Hotter than 92% of Be Svendsen's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 77% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Solo Para Mi - Be Svendsen Remix in?
Solo Para Mi - Be Svendsen Remix by Be Svendsen is in F minor, or 4A on the Camelot wheel.
What BPM is Solo Para Mi - Be Svendsen Remix?
Solo Para Mi - Be Svendsen Remix runs at 124 BPM, a club-tempo track.
What mixes well with Solo Para Mi - Be Svendsen Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Solo Para Mi - Be Svendsen Remix good for peak time?
With energy 78 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Need U (100%) [feat. A*m*e] [Artful Bootleg Mix] by Duke Dumont cover art](https://i.scdn.co/image/ab67616d00001e028254a70d719190b1d070a431){kind=small}
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
![Two Much (For Me) [Original Mix] by The Martinez Brothers cover art](https://i.scdn.co/image/ab67616d00001e023d89673d806cf0ff134bd37a){kind=small}
More from Be Svendsen
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
