A New Route - Ruben Mandolini Remix
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 7:05
- Released
- 2016
- Album
- A New Route
- Genre
- Tech House
- Loudness
- -8.0 dB
- ISRC
- GBKQU1651608
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A New Route - Dub Mixversion8A · 123
- A New Route - Original Mixoriginal8A · 123
- A New Route - Right On Dirty Sneakers Remixremix3B · 123
- A New Route - Tim Cullen Remixremix3A · 123
Against the original (8A at 123 BPM), this version runs 1 BPM faster and moves the key from 8A to 8B.
A New Route - Ruben Mandolini Remix is a club-tempo tech house track in C major (8B) at 124 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Marco Lys's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 87% of Marco Lys's catalogue
- Groove:
- groovier than 85% of Marco Lys's catalogue
- Energy:
- calmer than 84% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A New Route - Ruben Mandolini Remix in?
A New Route - Ruben Mandolini Remix by Marco Lys is in C major, or 8B on the Camelot wheel.
What BPM is A New Route - Ruben Mandolini Remix?
A New Route - Ruben Mandolini Remix runs at 124 BPM, a club-tempo track.
What mixes well with A New Route - Ruben Mandolini Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is A New Route - Ruben Mandolini Remix good for peak time?
With energy 78 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![Two Much (For Me) [Original Mix] by The Martinez Brothers cover art](https://i.scdn.co/image/ab67616d00001e023d89673d806cf0ff134bd37a){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
