Slip by Harvey McKay cover art

30s preview

Key
9A · E minor
BPM
124
Open Key
2m
Energy
78/100
Pop
0/100
Length
7:45
Released
2014
Genre
Techno
Loudness
-7.7 dB
Dynamics
11.1 dB
ISRC
GBUR61200141

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Slip: club-tempo techno, E minor (9A), 124 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More underground than 99% of Harvey McKay's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 90% of Harvey McKay's catalogue
Groove:
groovier than 81% of Harvey McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood16Dark
Groove82
Acoustic3
Instrumental86
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Slip in?

Slip by Harvey McKay is in E minor, or 9A on the Camelot wheel.

What BPM is Slip?

Slip runs at 124 BPM, a club-tempo track.

What mixes well with Slip?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Slip good for peak time?

With energy 78 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More techno

More from Harvey McKay

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track