Cover Up by Harvey McKay cover art

Cover Up

Harvey McKay

30s preview

Key
12A · D♭ minor
BPM
126
Open Key
5m
Energy
61/100
Pop
25/100
Length
5:58
Released
2017
Genre
Techno
Loudness
-9.0 dB
Dynamics
9.0 dB
ISRC
GBUR61700137

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cover Up: club-tempo techno, D♭ minor (12A), 126 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Better known than 99% of Harvey McKay's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 96% of Harvey McKay's catalogue
Energy:
calmer than 81% of Harvey McKay's catalogue
Brightness:
darker than 81% of Harvey McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood5Dark
Groove89
Acoustic0
Instrumental93
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Cover Up in?

Cover Up by Harvey McKay is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Cover Up?

Cover Up runs at 126 BPM, a club-tempo track.

What mixes well with Cover Up?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Cover Up good for peak time?

With energy 61 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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