A New Route - Tim Cullen Remix
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:32
- Released
- 2016
- Album
- A New Route
- Genre
- Tech House
- Loudness
- -4.8 dB
- Dynamics
- 11.4 dB
- ISRC
- GBKQU1651609
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A New Route - Dub Mixversion8A · 123
- A New Route - Original Mixoriginal8A · 123
- A New Route - Right On Dirty Sneakers Remixremix3B · 123
- A New Route - Ruben Mandolini Remixremix8B · 124
Against the original (8A at 123 BPM), this version holds the same tempo and moves the key from 8A to 3A.
A New Route - Tim Cullen Remix is a club-tempo tech house track in B♭ minor (3A) at 123 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Marco Lys's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 97% of Marco Lys's catalogue
- Tempo:
- slower than 96% of Marco Lys's catalogue
- Energy:
- hotter than 86% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is A New Route - Tim Cullen Remix in?
A New Route - Tim Cullen Remix by Marco Lys is in B♭ minor, or 3A on the Camelot wheel.
What BPM is A New Route - Tim Cullen Remix?
A New Route - Tim Cullen Remix runs at 123 BPM, a club-tempo track.
What mixes well with A New Route - Tim Cullen Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is A New Route - Tim Cullen Remix good for peak time?
With energy 97 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
