
Madness
30s preview
- Key
- 1B · B major
- BPM
- 123
- Open Key
- 6d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2014
- Genre
- Tech House
- Loudness
- -8.8 dB
- Dynamics
- 14.3 dB
- ISRC
- GBDJH1400045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Madness: club-tempo tech house, B major (1B), 123 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of Rafael Cerato's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 96% of Rafael Cerato's catalogue
- Brightness:
- brighter than 92% of Rafael Cerato's catalogue
- Groove:
- groovier than 91% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Madness in?
Madness by Rafael Cerato is in B major, or 1B on the Camelot wheel.
What BPM is Madness?
Madness runs at 123 BPM, a club-tempo track.
What mixes well with Madness?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Madness good for peak time?
With energy 97 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 123 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Rafael Cerato
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.