Madness by Rafael Cerato cover art

30s preview

Key
1B · B major
BPM
123
Open Key
6d
Energy
97/100
Pop
0/100
Length
6:27
Released
2014
Genre
Tech House
Loudness
-8.8 dB
Dynamics
14.3 dB
ISRC
GBDJH1400045

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Madness: club-tempo tech house, B major (1B), 123 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of Rafael Cerato's catalogue. In a set it works best as a floor-filler.

Energy:
hotter than 96% of Rafael Cerato's catalogue
Brightness:
brighter than 92% of Rafael Cerato's catalogue
Groove:
groovier than 91% of Rafael Cerato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood73Bright
Groove81
Acoustic0
Instrumental77
Live87
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Madness in?

Madness by Rafael Cerato is in B major, or 1B on the Camelot wheel.

What BPM is Madness?

Madness runs at 123 BPM, a club-tempo track.

What mixes well with Madness?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Madness good for peak time?

With energy 97 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 123 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Rafael Cerato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track