Day 3
- BPM
- 106
- Open Key
- 8m
- Energy
- 36/100
- Pop
- 45/100
- Length
- 4:35
- Released
- 2019
- Genre
- Deep House
- Loudness
- -16.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Day 3 - Dark Matter Radio Editversion9B · 112
- Day 3 - Dark Matter Mixoriginal10B · 112
- Day 3original3A · 106
A mid-tempo deep house cut, Day 3 sits in B♭ minor (3A) at 106 BPM. The feel is brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 97% of Be Svendsen's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 97% of Be Svendsen's catalogue
- Tempo:
- slower than 94% of Be Svendsen's catalogue
- Brightness:
- darker than 91% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Day 3 in?
Day 3 by Be Svendsen is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Day 3?
Day 3 runs at 106 BPM, a mid-tempo track.
What mixes well with Day 3?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Day 3 good for peak time?
With energy 36 out of 100 at 106 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![The Ladder [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
How to mix it
In 3A at 106 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 100-112 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 106 — beatmatch without a big tempo pull.
More deep house
More from Be Svendsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 106 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
