Day 3 - Dark Matter Mix
30s preview
- BPM
- 112
- Open Key
- 3d
- Energy
- 62/100
- Pop
- 16/100
- Length
- 6:21
- Released
- 2019
- Album
- Day 3
- Genre
- Tech House
- Loudness
- -10.5 dB
- Dynamics
- 16.1 dB
- ISRC
- DKAZ71939401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Day 3original3A · 106
- Day 3 - Dark Matter Radio Editversion9B · 112
- Day 3original3A · 106
A mid-tempo tech house cut, Day 3 - Dark Matter Mix sits in D major (10B) at 112 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 88% of Be Svendsen's catalogue.
- Tempo:
- slower than 81% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Day 3 - Dark Matter Mix in?
Day 3 - Dark Matter Mix by Be Svendsen is in D major, or 10B on the Camelot wheel.
What BPM is Day 3 - Dark Matter Mix?
Day 3 - Dark Matter Mix runs at 112 BPM, a mid-tempo track.
What mixes well with Day 3 - Dark Matter Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Day 3 - Dark Matter Mix good for peak time?
With energy 62 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 112 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More tech house
More from Be Svendsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
