Ride the Rainbow
30s preview
- BPM
- 112
- Open Key
- 7m
- Energy
- 55/100
- Pop
- 14/100
- Length
- 8:09
- Released
- 2018
- Genre
- Tech House
- Loudness
- -12.7 dB
- Dynamics
- 9.2 dB
- ISRC
- US83Z1808303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ride the Rainbow runs 112 BPM in E♭ minor (2A), a mid-tempo tech house record. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Better known than 91% of Timboletti's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 87% of Timboletti's catalogue
- Low end:
- more bass-heavy than 77% of Timboletti's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Ride the Rainbow in?
Ride the Rainbow by Timboletti is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Ride the Rainbow?
Ride the Rainbow runs at 112 BPM, a mid-tempo track.
What mixes well with Ride the Rainbow?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Ride the Rainbow good for peak time?
With energy 55 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 112 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More tech house
More from Timboletti
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
