The Dayz by Jamie Jones cover art

The Dayz

Jamie Jones

30s preview

Key
12A · D♭ minor
BPM
112
Open Key
5m
Energy
53/100
Pop
0/100
Length
4:21
Released
2005
Album
Jamie Jones
Genre
Tech House
Loudness
-6.9 dB
Dynamics
14.7 dB
ISRC
US4HM0500014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo tech house cut, The Dayz sits in D♭ minor (12A) at 112 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2005 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 92% of Jamie Jones's catalogue
Low end:
more treble-tilted than 90% of Jamie Jones's catalogue
Energy:
calmer than 75% of Jamie Jones's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood58Balanced
Groove78
Acoustic59
Instrumental0
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Dayz in?

The Dayz by Jamie Jones is in D♭ minor, or 12A on the Camelot wheel.

What BPM is The Dayz?

The Dayz runs at 112 BPM, a mid-tempo track.

What mixes well with The Dayz?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is The Dayz good for peak time?

With energy 53 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 112 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

#Track

More tech house

More from Jamie Jones

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track