Rise by Jamie Jones cover art

30s preview

Key
9B · G major
BPM
56
Double-time
112
Open Key
2d
Energy
54/100
Pop
0/100
Length
4:34
Released
2005
Album
Jamie Jones
Genre
Tech House
Loudness
-6.3 dB
Dynamics
16.3 dB
ISRC
US4HM0500002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Rise: tech house, G major (9B), 56 BPM. The feel is dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 2005 production that still circulates in sets. Slower than 99% of Jamie Jones's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 99% of Jamie Jones's catalogue
Reach:
more underground than 99% of Jamie Jones's catalogue
Low end:
more treble-tilted than 91% of Jamie Jones's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood25Dark
Groove43
Acoustic46
Instrumental0
Live17
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Rise in?

Rise by Jamie Jones is in G major, or 9B on the Camelot wheel.

What BPM is Rise?

Rise runs at 56 BPM.

What mixes well with Rise?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Rise good for peak time?

With energy 54 out of 100 at 56 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 56 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 53-59 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 56 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 56 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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