Glueck im Gegenlicht by Timboletti cover art

Glueck im Gegenlicht

Timboletti

30s preview

Key
11A · F♯ minor
BPM
112
Open Key
4m
Energy
53/100
Pop
2/100
Length
8:06
Released
2019
Album
Demen
Genre
Minimal Techno
Label
Acker Records
Loudness
-9.7 dB
Dynamics
10.2 dB
ISRC
DEU671902430

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 112 BPM in F♯ minor (11A), Glueck im Gegenlicht is a mid-tempo minimal techno production. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 88% of Timboletti's catalogue.

Tempo:
slower than 87% of Timboletti's catalogue
Low end:
more treble-tilted than 76% of Timboletti's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood64Balanced
Groove78
Acoustic10
Instrumental84
Live13
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Glueck im Gegenlicht in?

Glueck im Gegenlicht by Timboletti is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Glueck im Gegenlicht?

Glueck im Gegenlicht runs at 112 BPM, a mid-tempo track.

What mixes well with Glueck im Gegenlicht?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Glueck im Gegenlicht good for peak time?

With energy 53 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 112 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

More minimal techno

More from Timboletti

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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