Heresy - Matthys Remix
- BPM
- 115
- Open Key
- 5m
- Energy
- 40/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2011
- Album
- Metaphysical - EP
- Genre
- Tech House
- Label
- Traum Schallplatten
- Loudness
- -14.5 dB
- ISRC
- DEBW21100125
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heresyoriginal3A · 126
- Heresyoriginal3A · 126
- Heresy - Dosem Remixremix4A · 125
Against the original (3A at 126 BPM), this version runs 11 BPM slower and moves the key from 3A to 12A.
Heresy - Matthys Remix: mid-tempo tech house, D♭ minor (12A), 115 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Max Cooper's catalogue.
- Brightness:
- brighter than 87% of Max Cooper's catalogue
- Tempo:
- slower than 85% of Max Cooper's catalogue
- Energy:
- calmer than 83% of Max Cooper's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Heresy - Matthys Remix in?
Heresy - Matthys Remix by Max Cooper is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Heresy - Matthys Remix?
Heresy - Matthys Remix runs at 115 BPM, a mid-tempo track.
What mixes well with Heresy - Matthys Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Heresy - Matthys Remix good for peak time?
With energy 40 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 115 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More tech house
More from Max Cooper
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
