Eyes Closed
30s preview
- BPM
- 115
- Open Key
- 4m
- Energy
- 37/100
- Pop
- 0/100
- Length
- 3:37
- Released
- 2017
- Album
- Moments of Truth
- Genre
- Deep House
- Loudness
- -12.3 dB
- Dynamics
- 13.5 dB
- ISRC
- DEL021720004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eyes Closed (Tim Green Remix)remix11A · 122
- Eyes Closed - Tim Green Remixremix11A · 122
Eyes Closed: mid-tempo deep house, F♯ minor (11A), 115 BPM. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue.
- Tempo:
- slower than 97% of Tim Engelhardt's catalogue
- Groove:
- groovier than 96% of Tim Engelhardt's catalogue
- Energy:
- calmer than 93% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Eyes Closed in?
Eyes Closed by Tim Engelhardt is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Eyes Closed?
Eyes Closed runs at 115 BPM, a mid-tempo track.
What mixes well with Eyes Closed?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Eyes Closed good for peak time?
With energy 37 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 115 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More deep house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
