Invisible - Piano Version
30s preview
- BPM
- 116
- Open Key
- 6m
- Energy
- 37/100
- Pop
- 12/100
- Length
- 2:55
- Released
- 2021
- Album
- Invisible
- Genre
- Deep House
- Loudness
- -16.0 dB
- Dynamics
- 14.5 dB
- ISRC
- FR9W12104640
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Invisible - Paul Kalkbrenner Remixremix12A · 128
- Invisibleoriginal12A · 123
At 116 BPM in A♭ minor (1A), Invisible - Piano Version is a mid-tempo deep house production. It reads as brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 95% of NTO's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 88% of NTO's catalogue
- Low end:
- more bass-heavy than 82% of NTO's catalogue
- Groove:
- less groove-driven than 77% of NTO's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Invisible - Piano Version in?
Invisible - Piano Version by NTO is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Invisible - Piano Version?
Invisible - Piano Version runs at 116 BPM, a mid-tempo track.
What mixes well with Invisible - Piano Version?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Invisible - Piano Version good for peak time?
With energy 37 out of 100 at 116 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 116 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More deep house
More from NTO
Full profile
![Stratus [1/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e4ae8485ca1aeefcafd4.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
