Spruce - Jody Wisternoff & James Grant Edit
30s preview
- Key
- 9B · G major
- BPM
- 118
- Open Key
- 2d
- Energy
- 39/100
- Pop
- 17/100
- Length
- 5:25
- Released
- 2016
- Album
- Anjunadeep 08
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -13.1 dB
- Dynamics
- 15.5 dB
- ISRC
- GBEWA1601716
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Spruce - Jody Wisternoff & James Grant Edit: mid-tempo deep house, G major (9B), 118 BPM. It reads as brooding and low-slung. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2016 production that still circulates in sets. More treble-tilted than 99% of Jody Wisternoff's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Jody Wisternoff's catalogue
- Tempo:
- slower than 96% of Jody Wisternoff's catalogue
- Brightness:
- darker than 86% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 17%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Spruce - Jody Wisternoff & James Grant Edit in?
Spruce - Jody Wisternoff & James Grant Edit by Jody Wisternoff is in G major, or 9B on the Camelot wheel.
What BPM is Spruce - Jody Wisternoff & James Grant Edit?
Spruce - Jody Wisternoff & James Grant Edit runs at 118 BPM, a mid-tempo track.
What mixes well with Spruce - Jody Wisternoff & James Grant Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Spruce - Jody Wisternoff & James Grant Edit good for peak time?
With energy 39 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 118 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More deep house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
