Maara (Jody Wisternoff & James Grant edit) by Jody Wisternoff cover art

Maara (Jody Wisternoff & James Grant edit)

Jody Wisternoff

Key
10A · B minor
BPM
121
Open Key
3m
Energy
89/100
Pop
37/100
Length
4:14
Released
2026
Genre
Progressive House
Loudness
-7.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Maara (Jody Wisternoff & James Grant edit): club-tempo progressive house, B minor (10A), 121 BPM. The mix is almost entirely instrumental. Darker than 95% of Jody Wisternoff's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 95% of Jody Wisternoff's catalogue
Energy:
hotter than 86% of Jody Wisternoff's catalogue
Groove:
less groove-driven than 84% of Jody Wisternoff's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood4Dark
Groove58
Acoustic0
Instrumental87
Live41
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Maara (Jody Wisternoff & James Grant edit) in?

Maara (Jody Wisternoff & James Grant edit) by Jody Wisternoff is in B minor, or 10A on the Camelot wheel.

What BPM is Maara (Jody Wisternoff & James Grant edit)?

Maara (Jody Wisternoff & James Grant edit) runs at 121 BPM, a club-tempo track.

What mixes well with Maara (Jody Wisternoff & James Grant edit)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Maara (Jody Wisternoff & James Grant edit) good for peak time?

With energy 89 out of 100 at 121 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More progressive house

More from Jody Wisternoff

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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