Biocosmic Symphony - GMJ Cosmic Space Remix
30s preview
- BPM
- 121
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 3/100
- Length
- 9:37
- Released
- 2021
- Album
- Biocosmic Symphony
- Genre
- Progressive House
- Label
- Vapour Recordings
- Loudness
- -9.3 dB
- Dynamics
- 11.9 dB
- ISRC
- AU4S41200109
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Biocosmic Symphony - Antrim Remixremix11A · 123
- Biocosmic Symphonyoriginal3B · 124
- Biocosmic Symphony - Facundo Mohrr Remixremix3A · 122
Against the original (3B at 124 BPM), this version runs 3 BPM slower and moves the key from 3B to 3A.
At 121 BPM in B♭ minor (3A), Biocosmic Symphony - GMJ Cosmic Space Remix is a club-tempo progressive house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 91% of Kasey Taylor's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 87% of Kasey Taylor's catalogue
- Energy:
- hotter than 84% of Kasey Taylor's catalogue
- Reach:
- better known than 80% of Kasey Taylor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Biocosmic Symphony - GMJ Cosmic Space Remix in?
Biocosmic Symphony - GMJ Cosmic Space Remix by Kasey Taylor is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Biocosmic Symphony - GMJ Cosmic Space Remix?
Biocosmic Symphony - GMJ Cosmic Space Remix runs at 121 BPM, a club-tempo track.
What mixes well with Biocosmic Symphony - GMJ Cosmic Space Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Biocosmic Symphony - GMJ Cosmic Space Remix good for peak time?
With energy 88 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Revolution [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
![The Cream [Mix Cut] - Original Mix by 16BL cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c1c7c46ad73130338156.webp){kind=small}
How to mix it
In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
More from Kasey Taylor
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
