Over the Water - Tim Green & Izhevski Remix
- BPM
- 121
- Open Key
- 5m
- Energy
- 88/100
- Pop
- 6/100
- Length
- 9:03
- Released
- 2021
- Album
- In New Light
- Genre
- House
- Label
- For A Memory
- Loudness
- -6.2 dB
- ISRC
- QMFMF2112792
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Over The Water (Tim Green & Izhevski remix)remix12A · 121
- Over The Wateroriginal12A · 123
Against the original (12A at 123 BPM), this version runs 2 BPM slower in the same key.
A club-tempo house cut, Over the Water - Tim Green & Izhevski Remix sits in D♭ minor (12A) at 121 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Brighter than 88% of Tim Green's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 81% of Tim Green's catalogue
- Groove:
- less groove-driven than 77% of Tim Green's catalogue
- Tempo:
- slower than 76% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Over the Water - Tim Green & Izhevski Remix in?
Over the Water - Tim Green & Izhevski Remix by Tim Green is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Over the Water - Tim Green & Izhevski Remix?
Over the Water - Tim Green & Izhevski Remix runs at 121 BPM, a club-tempo track.
What mixes well with Over the Water - Tim Green & Izhevski Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Over the Water - Tim Green & Izhevski Remix good for peak time?
With energy 88 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 121 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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