Where You Want Me At
30s preview
- BPM
- 121
- Open Key
- 6m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 2:51
- Released
- 2018
- Genre
- Progressive House
- Loudness
- -5.1 dB
- Dynamics
- 8.6 dB
- ISRC
- CH3131814236
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where You Want Me At - Extended Mixversion1A · 121
- Where You Want Me At - Instrumental Mixoriginal1A · 121
At 121 BPM in A♭ minor (1A), Where You Want Me At is a club-tempo progressive house production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Sons Of Maria's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 81% of Sons Of Maria's catalogue
- Energy:
- hotter than 77% of Sons Of Maria's catalogue
- Brightness:
- brighter than 75% of Sons Of Maria's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Where You Want Me At in?
Where You Want Me At by Sons Of Maria is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Where You Want Me At?
Where You Want Me At runs at 121 BPM, a club-tempo track.
What mixes well with Where You Want Me At?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Where You Want Me At good for peak time?
With energy 87 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 121 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
![Revolution [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
More from Sons Of Maria
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
