Sweet Pills by Kevin Over cover art

Sweet Pills

Kevin Over

30s preview

Key
3A · B♭ minor
BPM
121
Open Key
8m
Energy
87/100
Pop
0/100
Length
7:24
Released
2017
Album
Buckfast Blackout
Genre
Tech House
Loudness
-8.5 dB
Dynamics
10.4 dB
ISRC
UK6AK1400141

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 121 BPM in B♭ minor (3A), Sweet Pills is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Kevin Over's catalogue.

Tempo:
slower than 94% of Kevin Over's catalogue
Low end:
more treble-tilted than 82% of Kevin Over's catalogue
Energy:
hotter than 81% of Kevin Over's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood45Balanced
Groove79
Acoustic4
Instrumental80
Live7
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Sweet Pills in?

Sweet Pills by Kevin Over is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Sweet Pills?

Sweet Pills runs at 121 BPM, a club-tempo track.

What mixes well with Sweet Pills?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Sweet Pills good for peak time?

With energy 87 out of 100 at 121 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More tech house

More from Kevin Over

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track