Reason - Diego Acosta UY Remix
30s preview
- BPM
- 121
- Open Key
- 8m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 6:25
- Released
- 2025
- Album
- Reason (Remixes)
- Genre
- Progressive House
- Loudness
- -6.4 dB
- Dynamics
- 11.3 dB
- ISRC
- US83Z2535903
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Reason - Taylan Remixremix9A · 122
- Reasonoriginal1A · 121
- Reason - Alto Astral Club Mixversion2B · 122
- Reason - Juani Otatti Remixremix11A · 123
- Reason - Martin Di Sciascio Remixremix9A · 122
- Reason - Alto Astral Remixremix1A · 123
Against the original (1A at 121 BPM), this version holds the same tempo and moves the key from 1A to 3A.
Reason - Diego Acosta UY Remix: club-tempo progressive house, B♭ minor (3A), 121 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Michael A's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 90% of Michael A's catalogue
- Brightness:
- brighter than 87% of Michael A's catalogue
- Low end:
- more treble-tilted than 86% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Reason - Diego Acosta UY Remix in?
Reason - Diego Acosta UY Remix by Michael A is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Reason - Diego Acosta UY Remix?
Reason - Diego Acosta UY Remix runs at 121 BPM, a club-tempo track.
What mixes well with Reason - Diego Acosta UY Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Reason - Diego Acosta UY Remix good for peak time?
With energy 90 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![The Cream [Mix Cut] - Original Mix by 16BL cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c1c7c46ad73130338156.webp){kind=small}
![Revolution [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
How to mix it
In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
